Yoram then took us to different places in the center of town where he felt that old and new did not mesh well. An hour and a half later we ended at his studio near Machaneh Yehudah where we had 1 1/2 hours to get lunch and make love to Jerusalem–aka take at least one photograph of the juxtaposition of old and new until we regrouped at the Fuchsberg Center for "processing" and photo sharing.
Here are the photos that I shared.
This one is the older style of building which by making love, the designers made each floor a different style of window that builds like a relationship while the port-a-potty which is new addition to the park area with an exterior that is designed to look a little like Jerusalem stone.
This one is the new Jean with the not-so-old Arab worker with the "old" hey pretty girl attitude.
This one is graffiti with a classic Jewish phrase and yet airbrushed style. I think that it is kind of cool although I do not in any way think that graffiti should be an acceptable mode of expression.
This last photo that I took is a tribute to one of my favorite Hebrew children's books Tiras Cham (hot corn). mmmmmm...
I have to say that I do not totally agree with Yoram. I think that there is a difference between history and modernity. While I do agree with him that there is a lot of the newish buildings that are incredibly ugly (thanks in part to Emah and Abba's expert teachings as I served as an apprentice to their 20/20 Hindsight company), I think that it is important to recognize that change and evolution are a natural part of the growth of a city. Not once did Yoram stop and show where the addition of the new had been done well. One example that I saw was on our walk together. There is a beautiful ancient building which has been completely gutted so that all that is left is the facade. It is being turned into the New Jerusalem Waldorf-Astoria hotel. Something so new on the inside and preserving the old on the outside. Below is a photo of the construction.

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